Like a Mammoth to a Giant Flame
LIke a Mammoth to a Giant Flame is a 45 minute documentary/concert film about the Montreal band Mellow Casualty.
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LIke a Mammoth to a Giant Flame is a 45 minute documentary/concert film about the Montreal band Mellow Casualty.
A sexual worker falls in love with his last client, leading him on a search through Torreon to find her.
After her estranged father’s death, Oluchi , an upcoming musician is forced to confront her true self and past mistakes. She reconnects with her daughter through their love for music. However, the echoes from the past spring from every corner, threatening to bring them down.
How does the relationship between animals differ from the relationship between humans and animals? – this is asked by the creators of the sixth choreographic film project by the Polish Dance Theatre
The sequel to the 2026 biopic “Michael”. Spans the later years of Michael, including the success of Dangerous album, his controversial marriages, abuse controversies, and the crushing global fame and media surrounding him.
Annie is back! Along with her friends Molly, Hannah, her dog Sandy, and her wealthy father Oliver Warbucks. They take a trip to England where Warbucks is going to be Knighted by the King. Annie and the gang stumbles onto a wicked scheme led by an evil noblewoman who plans to blow up Buckingham Palace so she can become Queen and claim the throne for herself! And now it is up to Annie and her friends to stop her!
In the 1980s we got our MTV but seemed to have lost much of the musical film in the process. But the genre is resilient. A handful of masterpieces along with a few cult classics emerged from this decade. In the 1990s the Hollywood musical was largely animated, rather than live action. However, television had a surprising number of musical offerings, including “Gypsy” with Bette Midler and “Annie” which launched director Rob Marshall. In the 2000s musicals came back starting with “Moulin Rouge” and carrying on with “Chicago,” “Dreamgirls” and “Hairspray.” There are movies based on Broadway triumphs and once again there are teens singing and dancing.
Based on Grease. Tells the story about Dany Seco and Sandra Tontales, two kids who know each other in one summer night. Summer end, and they say good bye, maybe they will never see each other again, but it was a wrong, Sandra's dads send her to the same high school as her best friend, Frenchy, but she never expected become the classmate of Dany.
ARTE pays tribute to bass-baritone José van Dam, who passed away on February 17, 2026, and who will remain one of Belgium's most iconic voices. In May 2010, the “maestro” bid farewell to the stage at the Théâtre de la Monnaie in Brussels, in one of his favorite roles, Jules Massenet's “Don Quichotte.” A moment out of time.
An anthology of surreal films by Patrick McGuinn featuring Vincent, a puppet who is obsessed with Twinkies and pasta.
Short film that accompanies A$AP Mob & Skepta's collaboration "Put That On My Set." The short film is a surrealist take on drug gangs, finding Rocky trafficking psychedelic butterfly wings as part of an organized crime ring. They run a tight moneymaking operation, and "Put That On My Set" showcases the importance of the rappers' crews in the illegal business.
This double-disc package by Lindsey Buckingham, guitarist, songwriter, producer, and principal musical architect of Fleetwood Mac's multi-platinum-selling sound, contains a live DVD of concert performances with a bonus documentary, plus a CD that includes all but one of the performances on the DVD. The material ranges from tunes on his last solo album, the brilliant Under the Skin, as well as Fleetwood Mac nuggets, and a choice track or two from his other solo offerings. His band features second guitarist Neale Heywood, drummer Takuya "Taku" Hirano, and bassist/keyboardist Brett Tuggle. Lindsay Vannoy plays additional keyboards on some cuts.
Live performance of Opeth's "Damnation" album in full, interspersed with songs from the band's albums "Blackwater Park" and "Deliverance", recorded at Shepherd's Bush Empire in London, UK.
After aspiring singer Judy Peabody rescues the elderly J.B. Bates from drowning, she assumes that the disheveled man is a vagrant and goes back to her job checking hats at New York City's famed Stork Club. But Bates is actually a grateful millionaire who becomes Judy's anonymous benefactor, and before long the working girl is swathed in minks and diamonds, much to the dismay of her suspicious beau.
Dozens of star and character-actor cameos and a message about the Variety Club (a show-business charity) are woven into a framework about two hopeful young ladies who come to Hollywood, exchange identities, and cause comic confusion (with slapstick interludes) throughout the Paramount studio.
This vivid film of Wagner's romatic opera succeeds in conveying what has famously been called "the wind that blows out at you whenever you open the score", including Daland's boat anchoring against the Sandwike cliffs, the red-sailed phantom ship, and the ghost crew rising from the dead. "Scenes that recall classic horror films... Brilliantly successful" (Nürnberger Nachrichten), "Captures the works' essence" (Süddeutsche Zeitung). With a superb cast; conducted by Wagner authority Wolfgang Sawallisch.
In a gray world, Henry created colors. He managed to trap them inside small glass balls to give to his sick wife, but he couldn't save her. From that day on, he began to produce colored balls non-stop, involving his four sons but refusing to share that incredible magic with the rest of the world and arguing with his youngest son, Stick, about it. Twenty years later, Stick returns home because his father is dying. The only hope seems to lie in a very expensive medical device, but only by freeing the color from the glass balls will Stick and Henry be able to reconcile and fill everyone's lives with beauty.
From 2017–2019, hundreds of Russian-speaking citizens living adjacent to and inside Russia sent anonymous recordings of what they really think about the country, what it was, is, and will be. The composer Eugene Birman, working with librettist Scott Diel set their words verbatim to music.