Same/Different/Both/Neither
⭐ 10.0

Same/Different/Both/Neither

2020

In a period of isolation, far away from each other, 2 friends reconnect through video-letters, inspired by the poetic gaze of women experimental filmmakers: Marie Menken, Joyce Wieland, Gunvor Nelson, Yvonne Rainer. Fernanda is a Brazilian living in São Paulo, Adriana is a Mexican-Brazilian living in Los Angeles. They both share their inspiration while capturing the reality of these times.

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⭐ N/A

Who Will Teach Me the Half of the Character

2006

Follows the footsteps of former Czechoslovak – Vietnamese cooperation and seeks to sum up its importance, regardless of its close political aspects, for lives of few particular Vietnamese citizens and also to report on contemporary Vietnam through experience of local people, who surprisingly aren’t separated from Czech by language barrier.

The Last Chieftain
⭐ N/A

The Last Chieftain

1999

The film explores the leadership system in lives of chiefs such as Rangalu who was sworn in as the Head of Santiman District, Taiwan, which consists of 10 villages with the population of 70,000, most of whom are indigenous Paiwan. The Paiwan people live in the mountain area of southern Taiwan. Their rich oral traditions and cultural traits are revealed in this unique film. The two director, Daw-ming Lee and Sakuliu Pavaavalung, exchange their views on political and economic issues.

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⭐ N/A

Ana Ana

2014

ANA ANA is a cinematic poem about four young creative Egyptian women. Most of the material is filmed by the characters themselves, who worked with the film’s directors in a process of collaboration and mentorship over a course of two years. The four main characters find creative ways to express what is hidden within their hearts: speaking of their dreams and desires in an extraordinarily open and intimate way, and using metaphors, and cinematic storytelling to transform the every-day struggles of their lives into the sublime. Set in the overwhelming chaos of Cairo, the film also oscillates back and forth between an empty and abstract desert, which might be real or unreal.

No Complies & Wallrides + Shuvits
⭐ N/A

No Complies & Wallrides + Shuvits

2012

Klez Motion Pictures International presents a promotional video for Polar Skate Co. Featuring the Polar team. Filmed in 2012.

Indus Blues
⭐ 8.0

Indus Blues

2018

Pakistani folk artists talk about their struggle to keep a fading art form alive while reminding the world what they are about to lose.

Black Line
⭐ N/A

Black Line

2017

A woman fishing in turbid waters, a suffering nature, the broken chant of the muezzin, all linked by a thin black line.

Bickels [Socialism]
⭐ 4.4

Bickels [Socialism]

2016

The ‘Casa do Povo’ cultural centre in São Paulo, an icon of the secular Jewish workers’ movement: a crumbling theatre flanked by staircases, entryways and corridors. Construction noise drones away in the background, clinking crockery, a broom sweeping over tiled floors, an expressive façade of countless adjustable panes of glass covered by a patina. It’s October 2016 and a group of young people are preparing a preview of Bickels [Socialism]. The venue is to form a prologue to the completed film, which tours 22 buildings in Israel designed by Samuel Bickels, most of which for kibbutzim. Dining halls, children’s houses, agricultural buildings, bright structures inserted into the Mediterranean landscape with great ingenuity. An architecture with a sell-by date: That many are now empty or have been repurposed at best is linked to the decline of the socialist ideals they embody.

Gamin
⭐ 7.0

Gamin

1977

After an extensive immersion work on abandoned childhood, Ciro Durán presents, from his point of view, the life of street children, who have broken all family ties and have regrouped to survive in the concrete jungle.

Nuisance Bear
⭐ 6.3

Nuisance Bear

2026

A polar bear is forced to navigate a human world of tourists, wildlife officers, and hunters as its ancient migration collides with modern life. When a sacred predator is branded a nuisance, it becomes unclear who truly belongs in this shared landscape.

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⭐ 4.0

Florida - Naturally

2003

Alice, Sherry and Randee take a look at some of the naturist opportunities in Florida.

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⭐ N/A

The Woman Who Saw The Bear

2016

Since 1980, Lucille Côté has lived in Laterrière, surrounded by more than 250 animals. With a silver mane and candid demeanor, Lucille practices a craft that has long been the exclusive domain of men: Taxidermy. Through various contemplative and country-flavoured tableaux, we meet a particular breed of taxidermist, living outside of the digital age, with enough skills to get by in the woods without a compass or a frying pan.

Selva. A Portrait of Parvaneh Navaï
⭐ 10.0

Selva. A Portrait of Parvaneh Navaï

1982

Trance dances and out of body projection. In front of the camera, Parvaneh Navaï becomes a mediator who enters in contact with and immerses into the energies of Nature, while her own energy radiates and echos in the forest ("selva"). The camera amplifies and expands her presence, transforming the forest into an imaginary space. The camera becomes a painter's brush.

Homeland
⭐ N/A

Homeland

2012

The story of the volleyball semi-final game at the 1996 Atlanta Olympics between Brazil and Cuba. Players from both countries review the match and comment on the emotions and events that occurred.

Peking Heartbeats
⭐ N/A

Peking Heartbeats

2024

A documentary of underground music culture in Beijing

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⭐ N/A

Catching Crocodiles

1933

Documentary about the life of crocodile hunters on the Gulf of Carpentaria.

Universal i faraona
⭐ N/A

Universal i faraona

2018

Fragments of the memory of three great artists José Pérez ‘Ocaña’ (Cantillana, 1947 - Seville, 1983), Javier Patricio ‘Gato’ Pérez (Buenos Aires, 1950 – Caldes de Montbui, 1990) and Pepe Rubianes (Villagarcía de Arosa, 1947 – Barcelona, 2009) became icons who helped make the city of Barcelona Universal and Pharaoh